In my rather long and vivacious article about the Coral Castle Mystery:
http://www.CONSPIRACY.CO/forums/amateur-...ry-solved.html
I decided to play 144hz with an application called SigJenny, and sing 'HU' @ 400hz. I had some really amazing and interesting resonance effects. And, I finally decided to attempt to write my own hexa-chord like structure.
http://www.CONSPIRACY.CO/music/7redorbs-...resonances.mp3
After writing it, I realised that the harmonics of 396 could apply to almost any hymn, in almost every key.
I'm not using A=432hz, so everything is 7Hz out. I hope to afford some proper studio hardware for my music.
In all my 20 years, I'd learnt that it doesn't have to take 20 years to be 'good' - not with help , and the right training.
But I never expected it could be taken this far with Ut Queat Laxis and Solomons 144 code:
Frequencies used: 95hz , 105hz, 125hz, 133hz, 144hz, 160hz
Core Solfeggio 'pythagorean' Frequency : 396hz
This is seriously big news to me as a musician, like - I feel like I could write anything , to any complexity, because I get the 'universals' a lot better with this knowledge of 3 6 9 and understanding WHY as a musician I always valued 3 6 9 keys (E G B) - this is featured in this music a lot.. (EGB) as ie CEG and F# A D, and more, E(3) G(6) B(9), etc etc
Full scoring will be uploaded soon, and a proper tutorial on how to create a proper hexachord will soon replace this. Today I am a very happy gent. I hope others realise the possible significances to the coral castle, Solomon 'issue' - there is geometry to sound, I feel i've shown that pretty hard in my extension of the Corel Castle thread. I know these are related musically, or there's just no way i'd have been able to create such a darned complex piece - nothing is complex I guess when you understand how it works - hence why any technology or method appears like magick until you understand it (thanks arthur C. hehe) ;)
http://www.CONSPIRACY.CO/music/7redorbs-...resonances.mp3
so much to do. my oh my
Red

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