Understanding Sacred Geometry, & It's Meaning in New Science

**7redorbs** · 02-28-2010 06:46 PM

What is Sacred Geometry?

Everything, that's not a trick. Sacred Geometry can be found in almost everything. You could consider Sacred Geometry the 'construct' for all the higher frequencies and wavelengths like in normal geometry, but also in music, science, biology, chemistry, and even physics. Indeed, the question raised by Sacred Geometry is whether the geometry comes from each topic, or the topics come from the sacred geometry.

Information theory and emerging breakthroughs in general relativity and quantum physics led to the creation of this mini article about Sacred Geometry.

What is Sacred Geometry?

Sacred geometry involves sacred universal patterns used in the design of everything in our reality, most often seen in sacred architecture and sacred art. The basic belief is that geometry and mathematical ratios, harmonics and proportion are also found in music, light, cosmology. This value system is seen as widespread even in prehistory, a cultural universal of the human condition.

It is considered foundational to building sacred structures such as temples, mosques, megaliths, monuments and churches; sacred spaces such as altars, temenoi and tabernacles; meeting places such as sacred groves, village greens and holy wells and the creation of religious art, iconography and using "divine" proportions. Alternatively, sacred geometry based arts may be ephemeral, such as visualization, sand painting and medicine wheels.

Sacred geometry may be understood as a worldview of pattern recognition, a complex system of religious symbols and structures involving space, time and form. According to this view the basic patterns of existence are perceived as sacred. By connecting with these, a believer contemplates the Great Mysteries, and the Great Design. By studying the nature of these patterns, forms and relationships and their connections, insight may be gained into the mysteries - the laws and lore of the Universe.

source: crystallinks.com

Modern 'Sacred Geometry'

Sacred Geometry simply applies to everything, modern sacred geometry and ideas aren't wrong - but relative orders of geometry - of which all are sacred

A contemporary usage of the term sacred geometry describes New Age and occult assertions of a mathematical order to the intrinsic nature of the universe. Scientists see the same geometric and mathematical patterns as arising directly from natural principles. Some of the most prevalent traditional geometric forms ascribed to sacred geometry include the sine wave, the sphere, the vesica pisces, the 5 platonic solids, the torus (donut), the tesseract (4-dimensional cube), and the merkaba (2 oppositely oriented and interpenetrating tetrahedrons), and the golden spiral/ratio. Some believers of sacred geometry also see patterns in crop circles and in ancient architecture.

source: crystallinks.com

What is The Golden Ratio / 'God Ratio' / Irrational Number

Sacred geometry is geometry used in the design of sacred architecture and sacred art. The basic belief is that geometry and mathematical ratios, harmonics and proportion are also found in music, light, and cosmology. This value system has been found even in human prehistory and is considered by some to be a cultural universal of the human condition. Sacred geometry is foundational to the building of sacred structures such as temples, mosques, megaliths, monuments and churches; sacred spaces such as altars, temenoi and tabernacles; meeting places such as sacred groves, village greens and holy wells and the creation of religious art, iconography and using "divine" proportions. Sacred geometry-based arts may also be ephemeral, such as found in sandpainting and medicine wheels. - Source: wikipedia.org

The golden ratio, also known as the god ratio, golden proportion, golden mean, golden section, golden number, divine proportion or sectio divina, is an irrational number, approximately 1.618 033 988 749 894 848, that possesses many interesting properties. Shapes proportioned according to the golden ratio have long been considered aesthetically pleasing in Western cultures, and the golden ratio is still used frequently in art and design, suggesting a natural balance between symmetry and asymmetry. The ancient Pythagoreans, who defined numbers as expressions of ratios (and not as units as is common today), believed that reality is numerical and that the golden ratio expressed an underlying truth about existence.

source: crystallinks.com

Understanding the Golden Ratio
Several weeks ago I stipulated the golden ratio wasn't 'just a good way of mimiccing nature and drawing accurately' - it was actually the 'best' way to design, for a reason, because it would seem the very things in all of the universe itself seem to either apply to the golden ratio , or the golden ratio to it. Quite a perplexity.

I made several predictions, here at CONSPIRACY.CO that there would eventually find quantum embeds in the golden ratio (they will find quantum ratio's in quantum physics particle interaction. Sometime after writing my Vitruvian man article this was confirmed on January 20 2010. (See article quoted below))

My Next Prediction
My next prediction is that you will find the same golden ratio's of quantum physics in ancient numerology of the old, such as the I Ching, and Terance Mckenna's system of Time Wave Zero. It will be found that the nature of time itself is based upon the relativity of objects, or the geometry of space, at the very large (macro cosmic levels) and the very small (micro cosmic levels).

Physicists have been running after this pipe dream for a long time and it is a grand unification of scales.

Obviously the golden ratio, being perfectly suited as a SCALE of relativistic dimensional objects or sacred geometries, it will find that the sequencing of certain 'special' , possibly rational numbers will be critical in the recreation of numbers such as phi and the golden ratio.

That is, I predict, the discover of a door between the relative scales of matter interaction. A physics based on distance AND location. Rather than just locations of electrons, the distances of eachother make a difference.

Another prediction I make is that the periodic table will eventually be numerologicalised much like in early ancient 'magick' and alchemy. It will be the geometry that will determine the elements in our labs, rather than the elements defining the atomic arrangement of geometry.

there will be an understanding that in order to create 'different elements' or 'configurations' all we need do is recreate the arrangement of blocks, and the geometry is 'actually bringing out the elements properties' - not the properties bringing out the physical electron interactions alone.

That is so much to say, that, both are true. We are still using one, or the other - now it is time for both.

That is what is wonderful with this discovery:
Golden Ratio Discovered in the Quantum World

The "golden ratio," which is equal to approximately 1.618, can be found in various aspects of our life, including biology, architecture, and the arts.

But only recently was it discovered that this special ratio is also reflected in nanoscale, thanks to researchers from the U.K.’s Oxford University, University of Bristol, and Rutherford Appleton Laboratory, and Germany’s Helmholtz-Zentrum Berlin for Materials and Energy (HZB).

Their research, published in the journal Science on Jan. 8, examined chains of linked magnetic cobalt niobate (CoNb2O6) atoms only one atom wide to investigate the Heisenberg Uncertainty Principle. They applied a magnetic field at right angles to an aligned spin of the magnetic chains to introduce more quantum uncertainty. Following the changes in field direction, these small magnets started to magnetically resonate.

My previous prediction in my Vitruvian Man Article, came true; that the sacred geometry of the vitruvian man could, and does in fact exist at the quantum level. Perhaps these new predictions may come true aswell!

Clearly, a similarly novel and 'irrational' combinative language seems to have formed. A little like cellular automata, but somehow - different. I'm not sure I could tell you how though.

It seems even the universe seems to work like Wolframs Basic Cellular Automata programs, just at a - yes, thats right, grander scale.

Perhaps, the golden Ratio has the meaning the Egyptians made it out to be. Perhaps Pythagoras, a member of an egyptian mystery school, wasn't teh first to discover what we call Pythagoras.

because, in fact - he wasn't. And how many more facts like that we've missed?

Just because it isn't pure science doesn't mean it isn't real science.

& Never forget that.

Best Wishes,
Adam, Sean & the CONSPIRACY.CO team

Epoch Times - Golden Ratio Discovered in the Quantum World

**7redorbs** · 03-01-2010 08:50 PM

bump

**Macky** · 07-07-2010 09:45 AM

Originally Posted by 7redorbs

What is Sacred Geometry?
[B]

I made several predictions, here at CONSPIRACY.CO that there would eventually find quantum embeds in the golden ratio (they will find quantum ratio's in quantum physics particle interaction.

Another prediction I make is that the periodic table will eventually be numerologicalised much like in early ancient 'magick' and alchemy. It will be the geometry that will determine the elements in our labs, rather than the elements defining the atomic arrangement of geometry.

When you base Quantum Physics on a fcc lattice structure as the fabric of space the golden ratio becomes the governing invariance of all Quantum interactions.

The periodic system can be integrated in the following way. Protons are represented by Octahedron structures - Neutrons are represented by the Tetrahedrons attached to these Octahedrons. Now all the Nobel Gases fit into a platonic solid (except Helium).

What is interesting as well - the Natural Constants are a combination of integer fractions combined with the
Golden Ratio ( This arrangement guarantees a unique quantum state for every property ). The most important numbers are multiples of 9 and the most important of these are 72 and 144.

The mass - gravity system uses the number 7 exclusively and the ONLY link between the two systems is provided by the Golden Ratio through the Gravitational Constant.

Everything indicates that we are dealing with a speed optimized State Processor which works on completely different principles than our computers.

That's it for today - Cheers Macky

**7redorbs** · 07-07-2010 03:47 PM

Maccy,
I'm astounded at your reply. A most interesting and brave recourse, one that I would have an infinitely resounding amount of time for : )) . (puns intended). I find what you say absolutely critical to something I'm working on at the moment with fractional integers (how we make irrational numbers, and pi funnily enough). I think not enough consideration is made about the granularity of PI, in that - for it to be extrapolatable in the reverse, from its infinitely granular level to the macro, rather than the atypical modern way of thinking (its polar reverse).

What you are calling the natural constants , and combinations of integer fractions is important to me because I believe Tesla knew all about them. In fact I believe the very conception of transformers and electricity requires this knowledge. Unlike modern technology today - where this knowledge is not required - and rather - a substitution for construction from the base up, to a built-upon layering that distances you from the base. This lacks evolutionary foundations in my opinion. Interestingly, I believe the nature of non-linear relations and abstractions are relevant to the golden ratio and Tesla's 3 6 9, specifically in fibonacci sets of 3.

Consider the following if Teslas 3 6 9 means something what could it mean? Could it mean the following.

3 is 1/2(also 1+2=3) of 6
6 is 1/3(1+4=4) of 18 (1+9)
9 is 3x3(6)

Also..

IF the 3 represents the past, and the 6 represents the present, then the future is the trigonometric representation of the convergence of the two interacting as whole (real pi) numbers (9). Presuming macroverse and microverse forces propogate in both directions (compress/retract).

3^2 (=9)
6^2 (=36 also 3+6=9)
9^2 (=81 also 8+1=9)

I believe that the number nine you are talking about is an important factor as this is the only true rule which stands apart from other primes (or sound bases)

For instance multiples 72 and 144 are interesting (7+2=9) (1+4+4=9), I believe that they are the most important because you can extrapolate the whereabouts of other harmonics with root notes - which to me sits as a theoretical musical concept alone - not 'science' - be it called.

Although, I admit my angle is somewhat braver and more provocative than most, I believe there is a lot to be said about the fundamental concept of novelty in these sorts of mathematical proof.

To begin to understand this, for me, was to begin to understand why the pyramids were set out the way they were, and how by putting them in that precise position one could apply the golden ratio to it, and extrapolate the _entire event_ or intention. Something magical indeed. The ability to abstraction data from nothing (because you are using a golden curve! you only need to know 3 positions and I think Tesla realised that)

On a seperate note I think I've explained my interpretation of 3 6 9 really badly today, but I have done some lovely diagrams which I believe should provide a universal way to create any number of transformer windings by using these approaches.

9 is 4/3'rds of 6
6 is 2/3rds of 9
3 is 1/2th of 3

If telas 3 6 9 is musical bars...

3 is 1 bar
6 is 1 and a half bars
9 is 2 bars

OR

3 is 1/2 bar
6 is 1 bar
9 is 1 and a half bars (1.5 e.g. 1+5=6)

9 is 1 bar
6 is 2/3 a bar
3 is 1/3 a bar

Note the last order is significant and stands seperate from the other 2 possible RELATIVE permutations, there are theoretically an infinitely number of symbolic representations i.e. LET 9 be 100 bars, and so on.

To me, this is the founding principle of music that might be - somewhat lost. I believe a lot of this information makes the idea of interaction interacting between becoming relevant to controlling certain properties of temporal mechanics. And - I believe that was somewhat Tesla's gift to us. At least a very refined version .

I believe this is why some of Tesla's inventions are still not well understood. You see, that happens - when someone has found a way to know how interactions interact. I think that is what Tesla's 3 6 9 has taught me, and - it's wonderful!

7

**7redorbs** · 07-07-2010 04:06 PM

In the above when I talk about the granularity of pi and how we very much see it going from the very small to the very big, the way we calculate pi is from the very big integers to the very small fractions.. This is interesting, because I believe in the universe and the way it works, the very big integers originate from the very small fractions. aswell - and it somehow forms the nature of entanglement and ancient numerology such as the I ching king weng sequence and the hexachord, not limited but including Ut Queant Laxis. Propogation can occur from the very big to the very small just like entanglement can occur from the very near to the very distant. There are non linear harmonics involved, and they do not extrapolate the way quantum physicists paint some of them.

In my opinion 'chance' needs some re-inspecting - what we think it means, at the very least. Emergent systems, information theory and theories such as cellular automata should be screaming this out to the most intelligent of critically informed minds as well as those of us willing to hear out , and not blow down novel ideas.

If people only realised, what we throw away is wasted! I think the very progress , and problems with the realm of quantum physics confirms the very issue we're experiencing, and ideas we are stumbling upon - even when you know there is something there and it is meaningful, and even if you happen to have a complex algorithm, applying it is something different altogether - something I am struggling to do specifically with the 3 6 9, how to turn this into a machine, or rather how best to right it down first to understand what i need to consider. Relativity of 3 points seems critical, at least in calculating the harmoncs of 2 set units. I believe the very same principles of pytahgoras apply - much like with most quantum if not all calculations. Interestingly enough quarks occur in sets of 3. More interestingly they can carry 2/3rds positive and 1/3rds negative or 2/3rds negative and 1/3rds negative. Also more interestingly 9 is the SQUARE of the number of scales available in a quarks charge. IS this relevant? Many would say no, I would say think harder. Given that these sets of 3 'charge scale portions' - terrible science language i know - travel at the speed of light when averaged, I believe that something extremely non linear is occurring indeed, and those physicists who would scoff at those who would suggest this thinking possibly too far attached to the Copenhagen theorem. That said, I do not pretend to understand most of it, only what seems relevant to me in music and numerology, it is a chord afterall.

To ME. at least

We have to remember these groups of 3 level scale charges actually are how we measure temporal events. This supports my belief about what Tesla meant by 3 6 9, what he might have understood about quantum physics, 10's of cultures of linguistically differing knowledge and novel ideas, and how he may have noticed these differences, categorised them - and somehow learnt fundamental principals of language and symbolic importance in information. Certainly 3 6 9 are all multiples of the number of quarks you find together, to put words into scientists mouths..

THREE QUARKS, OR MAYBE JUST SIX ELECTRONS.

The Quarks I've never read this article before in my life.

I sure hope we get some time to talk more about this , exchange ideas and perhaps come up with some new novel ways of representing these ideas so that - at least I - can understand them better.

yours,
7

**Rediscover** · 07-07-2010 05:29 PM

It seems 7 tones might be key to the mass-gravity sequence, just as a rewrite of the periodic system might be key to a better understanding of chemical elements.

**Macky** · 07-08-2010 02:27 AM

It took me a while to get the meaning of what you are saying, but some of the things you say are stiil an enigma to me. That is quite normal because people who spend years on a subject cannot expect that others understand it within a minute.

When you do Quantum Mechanics in a fcc lattice EVERYTHING is based on triplets. The numbers that can be used are not freely selectable - they come OUT of the lattice as inherent lattice properties as lattice ratios which allows to zoom the lattice (make it bigger or smaller ) without changing the ratios.

The triplets for a property are organized in the following way. A recursion is used to produce a pair of integers and the difference between these numbers is used to create a bridging invariance. The bridging invariance for the electrical domain are the odd numbers. The odd numbers create an IDENTITY between the pairs of one property and another one which allows the system to swap properties against each other.

The size and growth of particles is regulated by the Fibonacci sequence. The electric domain links into the Fibonacci domain with the odd numbers which produces a recursive set of Pythagoras triplets. Maybe it is better to post these things in the physics section one by one.

I did an extensive study on the pyramids (especially the Kings Chamber) which is essentially a Golden Ratio based construction. The result ( I was barred from other forums saying this - reason crackpot ) - the pyramids are the most concise description of Quantum Mechanics we have ( provided that space is based on a crystal structure ) which means that the myth that they describe the building blocks of the Universe has some truth in it. When we analyze the numbers used in the construction ALL the important Integers turn up in the right places and NO OTHER ONES.

In my opinion quantum numbers are used throughout the universe to communicate intelligence, because they are the same everywhere.

You write about a rethinking of the definition of chance. This is quite an interesting subject. A quantum system based on a lattice is fully deterministic at the fundamental level but it turns semi random at a very low level ( note that a completely random system cannot have a predictable statistical output ). In my opinion this is a deliberate design feature, because it allows a quantum system to increase its own complexity ( life and evolution) without any help from an outside source.

In a quantum system everything is equivalent - which means all properties are transformations of each other. Therefore you CAN treat changes in many different ways - frequencies linear "movements" and so on. The key to understanding such a system is to study its INVARIANTS the values which deliver the fundamental quantizations.

A note to your evaluation of pi. ALL of these numbers pi, e (Euler Number), phi (Golden Ratio) are transformations of each other because they are all based on an infinite series of fractions. So if pi plays a major role in Quantum mechanics we can REPLACE this role by using phi or e. Pi can also be used exclusively to describe quantum processes in a lattice based on Platonic Solids when we use a bridging invariance that coverts the pi based model into lattice parameters. This invariance is the sqrt(3) which connects to other systems through the triplet sqrt(3)+sqrt(2) = sqrt(5).

I don't want to go too far with all this - so just see this as an overview.

Just for the next post - an interesting way to draw the periodic system and its properties, but the number 7 is not related to the periodic table. I don't know the actual reason why it turns up in all Natural Constants connected to the gravity. There are some integers which I call construction numbers mainly 7, 11, 23 (all primes) because they are used to create the individual square recursions used by the system. These numbers link the Fibonacci Pythagoras triplets ( where they turn up as differences ) with the famous number 137. When you multiply 137 with the important quantum numbers you get two results. A single Pythagoras triplet for the construction numbers and 4 triplets for the other numbers which have VERY distinctive factors.

Maybe somebody is interested in decoding why this is the case.

**Rediscover** · 07-10-2010 10:29 AM

Thanks for your post Macky,

Do I understand you corectly if I think you mean that the latice scale or zoom is defined by irrational fractions which in turn have no influence whatsoever on the resulting fcc, I mean that in a way the irrational fractions are a control to provide for the invariance of the resulting fcc. The fcc manifestations are then provided for by integer quantum numbers.

It seems completly logic to me that, provided we have a crystaline structure, that if you want to provide for a manifestation in rational fractions that the control may in no way be rational because in that case it would interfere with the manifestations itself.

Would really love to hear your theory on the Pyramids and especially the Kings Chamber, for indeed size doesn't seem to matter, only ratio.

The reason for the 7-tone picture I put up is following: As we have manifestations of elements they can be brought into a logic system, as seven tones or quanta in an octave, each next half circle depicts another octave. The boundaries are formed by the inert gasses which by non-interaction with the other elements could be seen as a control. (eg. rational/irrational) To me this setup leads to possible transformations of elements as well as a provider for scalability.

**Macky** · 07-11-2010 05:43 AM